The process of clay is an ancient art embedded into cultural paradigms. The markings, simple processes and forms of early artisans are a reminder of my journey, one that calls me to the land and its innate wisdom.

Clay forms over millions of years as mountains weather, imbued with minerals and the memory of ancient forests and oceans. Beneath our feet, it holds the quiet stories of landscapes, a living archive of earth’s alchemy.

Ode to the Ancient

Aquire

  • A selection of ceramic art work can be acquired at the recently opened gallery in Deia.

  • Sarah Jerath’s work is a quiet, powerful meditation on our relationship with the earth. She shapes clay foraged from the hills around her home in Lancashire, allowing the land itself to speak through her hands. Each vessel carries the story of the terrain it’s born from: textured, raw, and deeply rooted in geological memory.

    In bringing this collection to India, Sarah returns to her grandfather’s homeland with a gesture that feels both personal and universal - a circle completed. Her practice embodies a rare purity of intention: to create in harmony with nature, to listen rather than impose, and to let beauty emerge from the earth itself.

    — Pavitra Rajaram

For almost two decades , Sarah developed iconic earth to tableware collections for International Michelin chefs, hoteliers, yachts & private collectors .

  • It has been a pleasure collaborating with Sarah on the tableware collection designed to offer our client and their guests a truly bespoke dining experience.
    Her expertise was instrumental in curating a selection that beautifully aligned with our client’s vision of dining within a wabi-sabi aesthetic.
    As is often the case with our projects, we faced tight deadlines, yet Sarah delivered a substantial quantity on time and with exceptional quality.
    We greatly appreciate her dedication and look forward to working with her again.

    Sarah is one of the finalists for the BOAT international Craftsmanship Awards for 2026

  • Sarah was invited by the directors of Agua Madera to design the front of house tablewares and consult with her wabi sabi raw design aesthetic - natural simplicity . Part of the consultancy included sourcing textiles, and collaborating with her Indian Khadi handloomed for her visual curation. - Sarah created her own unique tablewares, focusing on the contours and shapes of the natural environment like earth & ocean [agua] rocks , the carob trees hanging over the lunch tables , her collection included ash glazes from trees [ madera ]

  • “ I’ve been a huge admirer of Sarah’s work for nearly 20 years.

    Her plates were the first bespoke British range I’d seen that was both beautiful and durable enough for restaurant use.

    I’ve been serving food on them ever since — at The Ledbury, The Harwood Arms, and even at my own table at home.

    Sarah’s creativity and craftsmanship have inspired a generation of potters, and it’s been a joy to watch her work evolve over the years.”